Site-Specific Art: Performance, Place and Documentation

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Site-Specific Art: Performance, Place and Documentation

Nick Kaye

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This text traces the historical antecedents of installation and performance art, while also assembling a documentation of contemporary practice around the world. It provides individual analyses of the themes of space, materials, site and frames.

Kategori:

Arts - Performing Arts

Tahun:

2000

Penerbit:

Psychology Press

Bahasa:

english

Halaman:

260

ISBN 10:

0415185599

ISBN 13:

9780415185592

Fail:

PDF, 27.38 MB

IPFS:

,

english, 2000

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Julian Stallabrass — Art Incorporated: The Story of Contemporary Art

Baz Kershaw — The Politics of Performance: Radical Theatre as Cultural Intervention

Nick Kaye — Multi-Media: Video-Installation-Performance

Amelia Jones — Performing the Body Performing the Text

James Elkins — Pictures and Tears

Anna Birch, Joanne Tompkins (eds.) — Performing Site-Specific Theatre: Politics, Place, Practice

Alexander Alberro, Blake Stimson — Conceptual Art: A Critical Anthology

Martha Buskirk — The Contingent Object of Contemporary Art

Hal Foster — Richard Serra (October Files)

Oliver Grau — Virtual art: from illusion to immersion

Groys, Boris — Art Power (The MIT Press)

Miwon Kwon — One Place after Another: Site-Specific Art and Locational Identity

Julie H. Reiss — From Margin to Center.

Alexander Alberro, Sabeth Buchmann (editors) — Art After Conceptual Art (Generali Foundation Collection)

Benjamin H. D. Buchloh — Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (October Books)

David Campany — The Cinematic (Documents of Contemporary Art)

Georges Didi-Huberman — Confronting Images: Questioning The Ends Of A Certain History Of Art

Paul Mattick — Art in its time: theories and practices of modern aesthetics

Shannon Jackson — Social Works: Performing Art, Supporting Publics

Richard Schechner — Performance Studies: An Introduction

Guillermo Gómez Peña, Roberto Sifuentes — Exercises for Rebel Artists: Radical Performance Pedagogy

Gabriella Giannachi, Nick Kaye, Michael Shanks — Archaeologies of Presence: Art, Performance, and the Persistence of Being

Victoria Hunter — Moving Sites: Investigating Site-Specific Dance Performance

Richard Schechner — Performance Theory

Mike Sell — Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings-Fluxus, and the Black Arts Movement (Theater: Theory-Text-Performance)

James M. Harding — Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde

RoseLee Goldberg — World of Art: Performance Art: From Futurism to the Present

Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin H. D. Buchloh — Art Since 1900: Modernism, Antimodernism, Postmodernism

Suzanne Hudson — World of Art: Contemporary Painting

Whitney Chadwick — World of Art: Women, Art, and Society

Ursprung, Philip; Smithson, Robert; Kaprow, Allan — Allan Kaprow, Robert Smithson, and the limits to art

Gabrielle Jennings, Kate Mondloch — Abstract Video: The Moving Image in Contemporary Art

Tracey Warr, Amelia Jones — The artist's body

Hazel Smith, Roger T. Dean — Practice-Led Research, Research-Led Practice in the Creative Arts (Research Methods for the Arts and Humanities)

Bertie Ferdman — Off Sites: Contemporary Performance beyond Site-Specific

Roselee Goldberg — Performance: Live Art, 1909 to the Present

Erika Suderburg (Ed.) — Space, Site, Intervention. Situating Installation Art

Blake Stimson, Gregory Sholette — Collectivism after Modernism: The Art of Social Imagination after 1945

Mondloch, Kate — Screens : viewing media installation art

Simanowski, Roberto — Digital art and meaning : reading kinetic poetry, text machines, mapping art, and interactive installations

Leslie Hill, Helen Paris — Guerilla Guide to Performance Art: How to Make a Living as an Artist

Charles Merewether — The Archive (Documents of Contemporary Art)

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